Raphaël Dallaporta, Observation – Musée Nicéphore Niépce
This first solo exhibition by the artist in a French museum will present the series “Antipersonnel” “Domestic slavery”, “Fragile” and “Ruin”. Observation appears at Musée Nicéphore Niépce, Chalon-sur-Saône from February 18 th to May 20 th 2012 was organized in association with GwinZegal, Centre d’art et de recherche. Read More
Raphaël Dallaporta, Observation
Raphaël Dallaporta is the winner of the Foam Paul Huf Award 2011. This prize organised by Foam is awarded annually to up-and-coming international photographers below the age of 35. A major aspect of the award is an exhibition. Observation appears at Foam Fotografiemuseum, Amsterdam from 2 September to 26 October was organized in association with GwinZegal, Centre d’art et de recherche. Read More
RUINS (SEASON 1)
Rencontre Arles 2011. The first photographs of Raphaël Dallaporta’s project Ruins, which he began in 2010, will be presented exclusively for the Rencontres d’Arles Discovery Award. Since last autumn, Raphaël Dallaporta has been working with a team of archaeologists from the north of Afghanistan. Read More
Grand Organs of Paris
New York Gallery exhibition : L. Parker Stephenson Photographs (the cover of Photograph mag. March/April 2011). This is the first time Organs : Dallaporta’s complete series of glorious, highly detailed color prints of church organs will be exhibited outside of France. Read More
ARBEIT/LABOUR
Paris Month of Photography
Protocole, Raphaël Dallaporta
‘Protocole, Raphaël Dallaporta’ Espace Arlaud, Musée de l’Élysée, Lausanne Curator: Sam Stourdzé, Nathalie Herschdorfer June 18 – July 25 2010. Read More
FOTODOK UTRECHT NL
Domestic Slavery was shown during the edition of Utrecht based festival Fotodok. A publication was developed with Kummer & Hermann for this occasion, which at the same time can be used as a series of small format posters. In Domestic Slavery Raphaël Dallaporta addresses an often-ignored social wrong that is related to issues of human trafficking: modern slavery. Read More